A highly accomplished CGI artist since 2012 With a background in both literature and animation, Mo is renowned for his unique motion design and stunning 2D and 3D animations. He is a multi-talented artist who thrives as both an art director and a writer, making him a true pioneer in the integration of art and cultural origins. Mo's innovative work has been recognized with numerous awards throughout his career. As a CGI artist, he has delivered a wide range of projects and artworks, including animation, 3D motion graphics, visual identities, and designs. Mo has mastered a comprehensive suite of industry-leading software, including Cinema 4D, Maya, 3ds Max, After Effects, Nuke, and Houdini FX.. Now these days from a year ago Mo has been working with big brands of Watches around the world such as Citizen, Casio, G-Shock in Japan Mo. uses his passion and a specific way of approch in 3d to make fabilous commercial videos for the clients. For evey piece he makes you can find a sign which makes it special and memorable.
In real life and as a personal journey Mo. has been selected in exibitions, festivals and he is an established and a well-known Artist throgh Web3/Crypto Art by his great Generative piece, designs, complex creative coding pieces which integrated in 3d renders & his big sales as NFT Artist. He was able to sell more than 7k pieces by 2021 on Hicetnunc as was the artist of the week one time.
The Backyard Journey: Environmental Interpretation as Artistic Methodology, From Childhood Play to Digital Creation
This research investigates the symbiotic relationship between childhood creative play and professional digital artistry, introducing an innovative pedagogical framework for contemporary art education. Through a phenomenological analysis of developmental trajectories—spanning from unstructured backyard play to advanced 3D rendering and blockchain-based art creation—this study establishes a theoretical framework for understanding early creative environments’ influence on artistic cognition. The methodology synthesizes structured randomness principles from generative art theory, cognitive pattern recognition, and spatial awareness development, employing a mixed-methods approach that combines autoethnographic analysis with quantitative assessment of digital art outcomes. This investigation culminates in “The Generative Path,” an evidence-based educational program integrating experiential learning with digital art methodologies. The findings demonstrate that unrestricted creative play in childhood, despite resource limitations, fundamentally shapes advanced artistic capabilities. This study contributes to digital art education literature by bridging early childhood creativity with professional practice, while offering practical implications for educators and artists in the digital age.
🔗 Read Online: The Backyard Journey – Environmental Interpretation as Artistic Methodology
As Film director He could be able to make a short animation about migration called "Nomad"
✦ Spooktacular Spectacular Family Film Festival :: Finalist 2022
✦ Festival del Cinema di Cefalù 2022 :: Semi-Finalist & Honrable Mention
Discover the meticulous process and innovative technology behind my desk.
The precision of art, and the art of precision-it's not a contrast, it's a conversation. Art asks for discipline. Precision demands imagination. In my work, one always calls the other. Every frame, every texture, every movement is crafted with intent-not to impress, but to express something real. Beauty isn't born from randomness-it's engineered. It's tuned. And when it's done right, you don't just see it-you feel it. Sometimes, it begins with a moment. A flicker in the eye, a glint of light on a surface, a gesture half-formed. These things speak-quietly, but clearly-to those who are paying attention. My job is to catch that moment, and shape it with precision. But it's not just about stillness. Sometimes, one moment becomes many. A frame breathes, stretches, and becomes time-one second, two, maybe ten. That's when motion becomes memory. That's when the image stops being just visual, and becomes a feeling. Because whe... But for me, it goes deeper. I don't just capture moments-I live them. I feel what's inside them, and I translate that feeling into material-into texture, into light, into time. The moment enters me, and what comes out isn't just a copy of what I saw-it's how it felt, shaped into form. That's not interpretation. That's transformation. And that's the difference between creating like others, and creating as myself. When I live a moment, it doesn't pass. It expands. It stretches into the process, into the work. Time doesn't end there-it continues, inside the thing I create. A part of me is layered into it. Not as a memory, but as life itself-ongoing, moving, present. This is not just creation. This is continuation.Art, to me, is not ownership. It's passage. I am a medium between the world and itself-between nature and nature. What I create doesn't come from me alone. It flows through me. It's observed, felt, understood, and returned-reshaped, re-formed, but still true to its source. The artist's role is not to dominate the material, but to serve it. To listen, to guide, and to give it back with new clarity. That, to me, is the meaning of art.
Looking to build something bold, cinematic, and real?
Let’s connect.
📧 mo@asnaei.pro